Tuesday, January 14, 2014

When Church Becomes An Organization - James A.E. MacLellan

Here's a worthwhile excerpt from the Ecclesiastes, NIV Application Commentary, by Ian Provan[1]:


“Worship services” provide little opportunity for silent awe in the presence of God but plenty of opportunity for performance on the part of a select few professional speakers and musicians, who fill all the space with their words and sounds. Other gatherings of the church are characterized by relentless activity. It is Christian activity, of course, but it still fills the space that might be taken by silent adoration. Thus, “church” comes to resemble simply another form of human group endeavor and indeed often comes to mimic in a serious way the culture around it that is supposedly governed by different values. “Church” is increasingly thought of in terms of organization rather than of people worshiping God together, and leaders bring business and management models to bear on its development—planning growth, programming success, and managing change.
Leadership itself is understood and evaluated from a secular point of view. What counts as “good leadership” in the church-as-organization has been borrowed from the secular world. The modern pastor is seen in this light as a kind of CEO of the company, trained as an expert in problem solving and management, and thus gains respectability in a world and in a church that no longer thinks in a truly Christian way, particularly about the church. He is “a CEO in his study and a shrink in his pulpit.”2 As Vinoth Ramachandra rightly notes, “Many seminary graduates are now skilled in management techniques, or counselling skills and even ‘church-planting’ methodologies, but lack any integrating theological vision.”3 The story is told of a Christian leader returning from a church-growth conference puzzled because he had heard no theology and no serious references to God—only the exaltation of technique and numbers.4 Church advertising often reflects this ethos, as illustrated in these comments of an advertising executive regarding a contract from an Episcopal church in Minneapolis:
Promoting one’s church and marketing is a big part of evangelism.… George [the pastor] was used to getting on his knees a lot and asking for favors, and he wondered why he couldn’t promote his own parish with messages as hard-hitting as a lot of the ads he’d admired.5
The narcissistic, self-absorbed church thus develops by degrees to respond to the narcissistic culture, mimicking that culture in its move from word to image, from passion for truth and righteousness to cultivating intimacy and “good feelings,” from exposition to entertainment, from integrity to novelty, from action to spectacle.6 A survey of sermons by evangelical ministers between 1985 and 1990 suggests, in fact, that over 80 percent of these made God and his world spin around the surrogate center of the self. This is related to the professionalization of the ministry, in which the fulcrum around which ministry turns is no longer God but the church, which itself thus turns out to be a kind of idol.7 Of this kind of consumerist religion, Jacques Ellul commented rightly a number of years ago that it was not so much a “Jesus revolution” as a “gigantic religious expediency, in which Jesus and the revelation are served up to suit everybody’s taste.”8



2 O. Guinness, “America’s Last Men and Their Magnificent Talking Cure,” in No God but God, ed. O. Guinness and J. Seel (Chicago: Moody, 1992), 111–32 (quote on p. 123).
3 V. Ramachandra, Gods That Fail: Modern Idolatry and Christian Mission (Carlisle: Paternoster, 1996), 18.
4 O. Guinness, “Sounding Out the Idols of Church Growth,” in No God but God, 174–88 (quote on p. 165).
5 T. Pruzan, “Angels in the Ad Field,” Print (1998), 58–63 (quote on p. 61).
6 Ramachandra, Gods That Fail, 18.
7 D. Wells, “The D-Min-ization of the Ministry,” in No God but God, 174–88.
8 J. Ellul, The New Demons, trans. C. Edward Hopkin (New York: Seabury, 1973), 154.

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[1] Provan, I. (2001). Ecclesiastes, Song of Songs. The NIV Application Commentary (121–122). Grand Rapids, MI: Zondervan.

1 comment:

Unknown said...

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